Using S-Log2 and S-Log3 with the Sony A6300 (with LUT’s to download). In Slog2 LUTs the color profile is Sgamut, and in Slog3 Sgamut3cine. Wouldn’t it make more sense to use Sgamut3cine in Slog2 as well? When one uses ND filters, usually there is.
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![Lut Lut](/uploads/1/2/5/3/125396317/896261992.jpg)
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DELUTS SONY CINE 4, SLOG2 & SLOG3 Sets This pack contains: DELUTS CINE4 DELUTS SLOG3 DELUTS SLOG2 137 Creative Colour Grading LUTs for SLOG2 & SLOG3 in a wide range of editing applications that support.cube format LUTS. Such as Adobe Premiere CC, Adobe After Effects CC, Adobe Photoshop CC, Final Cut Pro X, Adobe Speedgrade, DaVinci Resolve. 171 Film Grade Creative ‘Looks’ & Classic Film Stock ‘Looks’ based on CINE4 gamma from Sony cameras. The classic DELUTS looks that you had in SLOG now available in CINE4 gamma, plus 34 Classic Film Stock Looks. Supplied in 17x17x17, 33x33x33, 64x64x64 lattice points in.cube format. Other formats available, please enquire for more details.
Also supplied in this pack are 'DELUTS LOG' luts. These let you use pre graded or Rec look footage to bring back to LOG (simulation).
You can find these in ‘Basic Correction’ dropdown menu within Lumetri after installation. I find these luts the most compatible with a range of cameras, even though they are listed as the ‘Sony Set’ they cover LOG and CINE4. CINE 4 is very neutral and now that CINE 4 has the additional classic film stock looks its the most flexible package there is. There will be a generic set based on the ‘Sony Set’ coming shortly and available as a free upgrade to existing ‘Sony Set’ customers.